Enrico Pranpolini

Sommaire

• Stavrogin’s confession

  Introductory note

  par Feodor Destoyevsky
• Sinbad par John Crawford
• A champion in the wilderness

  When The Soil, a radical magazine of art, first pricked through the cement
  crust of New York City, in December, 1916, there were perhaps a dozen friends
  who were enough interested to remain on hand and to see that the brash young
  greenling was not at once flattened under foot.

  par Robert Alden Sanborn
• And the antipodes of unity par Blaise Cendrars
• Young man with spectacles

  I do not wish to describe his minor details : for example that he had blue
  or brown eyes and was somewhat under six feet tall, that he attended Harvard
  University (or Chicago), and that he was the only son of an unimportant lawyer
  in Pennsylvania or Nebraska.

  par Malcolm Cowley
• The Lay of Maldoror

  Further Selections from Second Canto

  par Comte de Lautréamont
• The painters

  Characters

  par Roger Vitrac
• Tatlin’s monument to the Third International par Louis Lozowick
• The æsthetic of the machine and mechanical introspection in art par Enrico Prampolini