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Jaquette Rise

Rise

  • magazine : Peel
  • numero : 4 - 2005
  • date : 01 mai 2005
  • catégorie : Culture & arts

Sommaire

  • Public Discourse

    A film by Brad Downey, Quenell Jones and Tim Hansberry reviewed by Dave Combs

    par Dave Combs
  • Tokyo’s Postmodern Sticker Culture

    There are many ways to experience and enjoy art wherever you go. One
    way is to visit an art gallery where you receive the art in a manner controlled by the artist. The art is on the wall, protected from hands, and carries a price tag. On the opposite side of the spectrum, street art is a very hands on medium in which participation is free for all. One can spray over, rip down, or cover up whatever is within arm’s reach.

    par Scot Orser
  • The yellow dog
  • Jon Burgerman
  • 20 mg : visual narcotics

    €

  • Mike Clark

    My name is Mark Clark, and I'm responsible for the 'Color Your City !' project. The basic idea is to spread pencils all over the world with that exact message written on the pencils. The pencils have already travelled to : Belgium, Canada, United Kingdom, USA, Brazil, Greece, France, Spain and many more.

  • Above

    PEELzine set out to find the mysterious and enigmatic artist known only as ABOVE.

    The following is a photojournal of the journey: In Pursuit of ABOVE

  • Klutch: profile of a Vinyl Killer

    Intense colors, intricate patterns, splatters, drips, and figures, sometimes
    disturbingly lifelike describe the work of the Portland-based artist known
    as Klutch. PEELzine had the opportunity to catch a glimpse into the mind of
    the man behind all that vinyl. Here’s what he had to say...

  • I am Zoltron...
  • Sticker Design Competition
  • Sticky art - Art that sticks par Megan Miller

A propos du magazine

Peel
Peel PEEL was the premier sticker, stencil, and street art magazine from 2003 – 2008. In 2002 Dave and Holly Combs traveled to New York City from Indianapolis, Indiana, to assist with September 11 recovery efforts at Ground Zero. While exploring Manhattan during their off hours, they were inspired by the wealth of stickers they saw all over the city, especially the black and white stickers created by Shepard Fairey declaring that “André the Giant has a Posse”. These stickers made such an impact that the Combses started PEEL, the first street art magazine with a focus on stickers. Over time, PEEL evolved from a black and white DIY zine stuffed into plastic bags to a full-size, glossy, internationally distributed magazine documenting worldwide street art.
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